Adapting Allen Jones' highly controversial "Table" sculpture, Stewart spends the majority of this performance on all fours with a panel of glass balanced on her back. While on the floor, Stewart invites three random members of the audience to don numbered ski masks. Stewart then leads these volunteers through a series of questions, instructions, and challenges related to power, service, and control. Considering tables to be sites of exchange, the performance unfolds as an absurd study of the conversations and interactions that happen at and around them.